susan sontag theories on photography

How have women been portrayed through photography? Theories of Photography: Representation, Communication, and Aesthetics. ISBN 0-31242219-9 1. Instructor: ... Susan Sontag, and John Tagg, we will discuss photographic projects, bodies of images, as well as their circulation and consumption. Susan Sontag 's Theories About Photography Essay. Susan Sontag is the author of four novels, The Benefactor, Death Kit, The Volcano Lover and In America; I, Etcetera, a collection of stories; several plays; and five works of nonfiction, among them Illness as a Metaphor and AIDS and Its Metaphors. In recent years, the Black Lives Matter movement has decried the circulation of pictures showing violence against the black body. These concerns can feel immediate and timely, yet before the close of the 1970s, writer Susan Sontag had already articulated all of these concerns. Among these, she contrasts Diane Arbus's work with that of Depression-era documentary photography commissioned by the Farm Security Administration. Her true concerns over photography featured a Marxist edge. Of course, this modern day was the 1970's, but many of the key elements described in the collection of essays still remain relevant. When considering photography one can examine a variety of aspects, there are subtleties built into each moving piece that constitutes a photograph. Their postures and positions seem to suggest they are comfortable with each other and their surroundings. It is a set of essays on the "philosophy" of picture-taking and the meaning of photography in the modern (ca. The origins of her interest in photography are still, Though she wrote about artists and aesthetics, political convictions underpinned Sontag’s arguments. On Photography by Susan Sontag is a treatise on photography; what meaning it holds, both in Western civilisation, as well as other cultures and how such meaning has changed through the relatively short history of the medium. Last Updated on May 7, 2015, by eNotes Editorial. 2263 Words10 Pages. Susan Sontag has returned photography to the cockpit of discussion it occupied when the exact mechanical image loomed as a threat to the person, to art, to the very relationship between images and reality. On Photography is a collection of essays by American writer, academic, and activist Susan Sontag. 6. Word Count: 241 On Photography began with a single essay in which Susan Sontag wanted to explore some … In order to get a full understanding of the “Miss Lesbian” photograph, I will be taking a look at Zanele Muholi’s biography in order to get a full, Assignment: How have women been portrayed through photography? 16/01/2009 “To photograph people is to violate them,” she wrote. She discussed the “class condescensions” in the work of, Sander is hardly the only photographer that Sontag faulted for using his lens to enjoy “class tourism.”, Yet not all photographers Sontag commented on simply captured subjects at opposing ends of the economic spectrum. The framework will specifically be within a genre defined by photographer David Ward, as ‘Romantic landscape’, (Ward, Susan Sontag 's Theories About Photography Essay, Throughout the Great Depression, and through the creation of the New Deal, the Civilian Conservation Corps (CCC) was created to give men jobs and improve the economy. I read it myself a good year before starting this course but if there was ever a case of something you read going in one eye and out the other this was it. Why Mapplethorpe’s Photographs Remain Subversive, Even without the Shock Value, Revisiting Diane Arbus’s Final and Most Controversial Series, The Photograph That Launched Edward Steichen’s Career, The Mysterious Appeal of Art That Depicts Figures from Behind, Elise Daniels with Street Performers, Suit by Balenciaga, Le Marais, Paris, August 1948. So when Susan Sontag's On Photography hit the bestseller list recently, it caused an uproar among photo professionals and hobbyists alike. Obsessive picture-taking is alienating—those with the most cluttered Instagram feeds, by Sontag’s logic, may be the most isolated, regardless of what their sunny snapshots broadcast. The workers seem happy, as some are smiling, and others seem proud to be there. A cancer patient herself when she was writing the book, Sontag shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of patients and often inhibit them from seeking proper treatment. To deepen the interpretation and analysis of this photograph, I will be using work done by John B. Thompson and will be using his theories of the five symbolic forms (Intention, Convention, Structure, Reference and Context.) Susan Sontag’s On Photography is a seminal and groundbreaking work on the subject. According to her theories, photographs were taken to document and represent the occurrences of the past, represent the objective views, memorialize the achievements, show the events that occurred, view the mortality of the individuals photographed, and show that photographs become art over time. When we take a photo, we inherently distance ourselves from the world and people around us. Susan Sontag – Quotes from ‘On Photography’ mickyates April 10, 2019 ContextualResearch , Critical Research Journal , Critical Theory , Documentary , ICWeek11 , Ideas , Informing Contexts , Media Theory , Photography , Portrait , Quotes Leave a Comment They are seen as the more powerful and clever species, Romanticism and Activism – A comparison of the work of Fay Godwin and Sebastiao Salgado, to ascertain the degree to which they are romantics and how their images may move the viewer to action. As everything she wrote, Susan Sontag's book on photography is brilliant. Roland Barthes, Camera Lucida, Reflections on Photography. First published in 1977, it brings together a series of nonfiction pieces originally published in The New York Review of Books between 1973 and 1977. More than any other 20th-century critic, Sontag gave readers a reason to care about photography. Later modes of hermeneutics “excavated” texts to impose meanings rather than reveal them. This very passivity -- and ubiquity -- of the photographic record is photography's "message," its aggression. The angle is straight on to get an accurate depiction of the workers. less, despite its limitations, Camera Lucida is still a benchmark of photography theory, arguably “the most quoted book in the photographic canon.”8 Along with Benjamin and Barthes, a surprisingly small body of texts has come to function as the photography-theory canon: Siegfried Kracauer, André Bazin, Susan Sontag, Rosalind Krauss, Pierre As Sontag points out, hermeneutics, the theory of interpretation, was originally applied specifically to the biblical text, but since the 19th century has been applied to literature and art as well. War in art—Social aspects. But more unnerving was Sontag’s proclamation of the camera as a weapon. She referenced the camera’s addictive nature, but warned that taking pictures only gives “an appearance of participation”—our fevered adoption of Instagram today is the best evidence of her foresight. from the College of the University of Chicago and did graduate work in philosophy, literature, and theology at Harvard University and … Limited-Edition Prints by Leading Artists. It would serve as her final published thoughts on the medium, a powerful reading of digital technology’s effect on acting in the world: “To live is to be photographed, to have a record of one’s life, … This is probably one of the only jobs they could get, as this was during the Great Depression when Franklin Delano Roosevelt created the New Deal to, Differences Between Qualitative And Quantitative Research Essay, Alternative Alternatives For Alternative Fuels Essay, Human Capital And Its Impact On The Success Of The Company Essay, Narrative Of The Life Of Frederick Douglass Essay, The Major Deficits That Come Along With Autism Is The Social Aspect Of It Essay, The Theoretical Orientation Of Motivational Interviewing Essay. A French literary theorist, philosopher, … Sontag continued to theorize about the role of photography in real life in her essay “Looking at War: Photography’s View of Devastation and Death”, which appeared in the December 9, 2002 issue of The New Yorker. 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